On
the 5th she repeated the role at Naples, to another demonstration tinged with
political heroics, and completed the run at Rome on the 8th and the 11th.
The name, Anita Cerquetti, had appeared on the front page of newspapers throughout
the World and would stay there at intervals until the story had played itself
out in the courts.
On 21 February, Anita joined Simionato, Corelli and Modesti in a hugely praised
revival of “Norma” at Palermo and then she took a long rest. La Scala had
offered her a debut and Anita wanted to be properly rested and fully prepared
for this final conquest.
On 1 June before a house sold beyond its capacity, Cerquetti sang the role
of Abigaille in “Nabucco”. Poggi, Bastianini, Nicola Zaccaria and Simionato
were very well received, but it was Anita who stole the evening. Stomping,
cheering ovations with showers of roses came from every corner of the theater.
She repeated the role four times before retreating to her family villa for
a long vacation.
Little did she know that it was to be her last important engagement in Italy,
and one of the last anywhere.
In August, she sang in Aida at the small town of Fermo, and then she and Edo
traveled to Mexico City for performances of “Aida” and “La Forza del Destino”.
“Hail the conquering heroine” was one critic’s assessment.
Philadelphia audiences were overwhelmed by her “Trovatore” Leonora in late
October, and the audience at Barcelona tried to outdo its previous welcome
when she returned to the Liceo for “Norma” in December.