1958
On
the evening of 2 January Anita arrived at the San Carlo for her third recitation
of the role and received long ovations at the end of acts one and two. While
she was resting in her dressing room during the second interval, a frantic
phone call was received from Guido Sampaoli of the Rome Opera. Maria Callas
had just abandoned the stage of the Teatro del Opera at the end of act one,
with the president of Italy in the audience. Anita would have to perform the
role there on the evening of the fourth. The audience at the San Carlo had
already heard about the events at Rome and there were overwhelming demonstrations
after acts three and four, partially ignited by anger toward the Greek “interloper”.
It remains unclear to this day as to who fired whom, but the official story
stands that Callas’ “insult” could not be tolerated and her services were
no longer needed. It ended years later in litigation and Maria was ultimately
exonerated.
In any case, Anita reluctantly agreed and on the evening of 4 January, she
received an ovation only equaled at Barcelona a year earlier. The performance
is known to all collectors of vocal art. It shows Cerquetti in superb form
and the audience in a mood to turn the evening into an unforgettable historical
event, which is exactly what it was.